Annual Dinner

The CANSW hosts an annual dinner in Sydney. We invite a speaker every year, who shares a special address with our guests. We hope you will join us for an exciting evening dedicated to supporting Classical Studies and associated subjects. We would absolutely love to meet you and for you to meet other CANSW members. Guests are always welcome.

2026 Date & Venue to be confirmed
Details will be emailed members closer to the date.

To register, please

  1. Use this link (TBC) to reserve your place at the Dinner.

  2. Make a payment via Electronic Financial Transfer to the CANSW account.
    BSB: 062 000
    Acc. no.: 0080 0955
    N.B. Please write ‘Dinner – [Initial for first name] [Full surname]’
    (e.g. Dinner – J Adams) after ‘Description’.

We look forward to seeing you!

Do look out for updates on future events in your inbox, as they will appear in one of our newsletters. If you haven't registered for these, please email us at enquiries@classics.org.au. If you would like to join CANSW as a member, you can do so via the following link: classics.org.au/association/membership

Our 2025 dinner took place 14th November at Ahgora Restaurant in Glebe. We had three guest speakers, Dr. Natalie Mendes, Mr. Roger Pitcher, and Professor Gerd von Riel, each giving a lightning talk on the topic of religion.

Our 2024 dinner took place 29 November at Ahgora in Glebe. Our guest speaker was Associate Professor Kathryn Welch (CAH, University of Sydney)

In 2023, CANSW welcomed Dr. Tom Geue (Classics, Australian National University) to present the Annual Dinner Address, ‘Cash for Verse: Simonides in Rome.’ A short abstract for his speech follows:

Roman poetic patronage has been valued for the fact that it was designed to be an umbrella social practice, which exemplified the facilitation of a relationship between individuals of unequal statuses. This all-encompassing sense of social responsibility was sustained for an extended period of time. A poet can patron cultural prestige in exchange for material and memorable benefits, as were demonstrated by the poets of the Augustan era.

While this orchestration may more or less have described the state of play amongst the literary art of the late republic and early principate, Roman poets of the later 1st century CE could been considered to be starting to highlight a breakdown of this model. Patrons, in sum, no longer paid out. Tom Geue's talk grappled with how this new thinking pertaining to patronage panned out through a particular anecdote about the Greek poet Simonides, who was long renowned for inaugurating a system of one-off 'cash for verse’ events, over sustained poet-patron relationships.

Tracing the evolution in the Simonides anecdote from Cicero, to Phaedrus, to Quintilian, Tom Geue explored how Roman authors of this period began to process a fundamental change in the economics of poetic production - and how poets such as Phaedrus, Statius and Martial each had to respond to a poetic world that moving rapidly away from secured gift exchanges to precarious commodity exchanges. Regardless of the propaganda that has lasted from this period, Roman Stoicism could have played a part in the reduction of art and remuneration during this period of the consolidation of the Empire. The debate as to whether it also changed the content of the poetry itself is very much open for discussion and a reading of both Latin and Greek verses will no doubt trigger arguments for and against this perceived step away from tradition.